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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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FESTIVALS: THE SUN SHINES ON SUNNY DA DHABA

We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...

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ALTERNATIVE ENTERTAINMENT: MUSIC OF THOUGHT AND IMAGINATION

It is Kumar Shahani's Khayal Gatha (The Saga of Khayal), a 1989 Indian experimental film written and directed by Kumar Shahani, that O....

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THE BEST FEMALE ACTORS OF 2023: TINAA GHAAI

This week-long series brings to you, next, the best of 2023 through the eyes of another among the very influential in Bollywood. Actor and Exec...

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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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BOLLYWOOD’S AMAZING CHUMMA CHUMMA STORY: FROM OOOIMAA TO GO-BABY-GO!

A caress given with lips, key to paradise, the blossom of love, the first discharge of a purely, physical, sexual sensation, the first crisis o...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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